To support Harrogate International Festival’s increasing role as a regional cultural development agency we are looking to appoint:
Summer Festival Artistic Director to devise & deliver the artistic content for the 2010 Summer Festival programme, and an artistic vision for the future.
Fee: £6,000 - £10,000 dependant on experience. 9 month freelance post
Development & Communications Manager to maximise the generation of funds & to manage the brand, marketing & audience development to support our innovative programme.
Salary: c. £30,000 pa - 12 month fi xed term contract, continuation subject to funding.
Music & Education Manager to lead on the prestigious Summer Festival and to continue to expand our exciting portfolio of education projects. This is a key role in a dynamic and growing organisation.
Salary: £18,000 - £26,000pa. Permanent, full-time post
Closing date for all applications 21st December 2009
Interviews to be held the week commencing 4th January 2010
Click here for more information and to download job descriptions and application forms.
Lesley Garrett CBE headlined the 2009 Harrogate International Festival. She spoke to Ann Chadwick about her passion for music and why Yorkshire beats strongly in her heart…
Lesley Garrett kicks off the 2009 Harrogate International Festival
Lesley is a whirlwind of energy and passion. Currently starring in the musical Carousel in the role of Nettie, she wanted to make time to speak to the Harrogate International Festival - an event very close to her heart.
“I’ve been many times but not for a little while now so it will be lovely to reacquaint myself with Harrogate because its such a special place,” she says without pausing for breath, “and especially the Festival, which is just one of the major festivals in the country and it’s been built up wonderfully.”
Lesley made her debut at the Festival 29 years ago and has returned to the town on numerous occasions.
“I was lucky enough a few years ago to be Performer in Residence at the Festival which I enjoyed very much. I performed three contrasting recitals on three consecutive weekends, which was very demanding; it required me to find three completely different programmes, three different ranges of singing.”
This year Lesley will be performing in the magnificently refurbished Royal Hall.
“I haven’t performed there before,” only because, she adds, it was closed for its refurbishment. “I’m so excited- I will have just about performed everywhere in Harrogate after that,” she laughs.
“The very first time I ever performed at the Harrogate Festival was when I was a student and they had a young singers’ recital programme which was to give new singers, as I was then, experience at a high level of recital giving. And I gave a recital - my first ever recital - at the Swan Hotel and it was patchy let’s say,” she laughs, “that would be a kind way of putting it - there were songs I wasn’t sure I did justice to - but it was nonetheless a fantastic opportunity for me and a great learning experience. So I asked if I might have permission when I was asked to come back to bring a young singer with me, partly to continue that wonderful tradition. I think it is an important part of the work of festivals, and a very important part of the work of the Harrogate Festival, to encourage the artists of tomorrow. And also because it would give me the opportunity to sing some duets for the public which I don’t get the chance to do that very often. I wanted to present a more varied programme, so I’m very excited about that.”
To detail Lesley’s achievements to date makes the head spin - eleven solo CDs, countless awards - she has sung everywhere from Naples to New York, Australia to South Korea.
Lesley is joined by rising star, Dominic Kraemer
“I don’t feel driven, I just feel as if I’m enjoying every second of my life. I think it’s a passion to communicate: it’s a powerful urgency - a powerful sense that I need to put before the public the music I believe in, and love and feel passionate about. I feel strongly that it’s so important to society to have music available of all kinds. You know you only have to travel on the bus today and every young person will have a iPod and earphones, people of every age have to listen to a piece of music at least once a day just to feel right about themselves.
“There is something extremely important about the live experience because however important recordings are, the listener can never get the true connection with the performer which is possible during a live performance because the audience is part of the creation of the music. Every performance I give is different because every audience I perform to is different. So there’s a great exchange of feeling that goes on in a performance, I feel always when I perform that the audience is drawing out of me what that audience needs, and every audience’s needs are different.”
And Yorkshire audiences have a distinctive place in her soul. For the first time in the interview, Lesley slows down when I ask if Yorkshire is still a place close to her heart.
“Very much so, very much so, it’s my roots,” she says with feeling. Lesley is married to a GP, and they have two teenage children. They stay in the North most weekends. “It’s where I go to revive myself. It’s where I go to breathe. There’s something about taking in a lungful of Yorkshire air that’s different to anywhere else in the world: I breathe in my heritage, I breathe in my family, I breathe in the history, the great history that is Yorkshire. It’s such an extraordinary county and so varied, and so special. And it will always have a vital place in my heart. All my family still live in Yorkshire, I have a home in Yorkshire, and I always will have. So yes, it is extremely important to me to sing regularly in my home county. And yes it always will be. It’s also the most nerve wracking because it’s the place I love most. The more one cares about a place and the people in that place, the more important it is to do well.”
The Doncaster Diva wows the audience
It’s remarkable that she is so grounded considering her glitzy career. Born and bred in Doncaster, she has taken on the wide world with gusto, carrying her roots and Yorkshire identity with her to far flung places and to show biz faces.
“I’ve always valued my history, my personal history, my roots. That hasn’t stopped me experiencing a very diverse life. And it’s because of the solid start I received at home - solid in every way - solid in the sense I was much loved and encouraged and valued, and I still am. And I think if you are safe in that knowledge then you can do anything really. And also my parents were the most wonderful example to me because they both were determined to ‘better themselves’, which is the expression that was often used in my childhood. Both my parents, who worked on the railways, decided to become school teachers and in the case of my father ultimately he became a headmaster. And they had great ambition and had to work extremely hard to realise that ambition. That was a wonderful example to me and made me think, yes I can become an opera singer, my father’s just become a headmaster, my mother became head of music in a middle school, and she worked in a ticket office when I was a child. And there’s nothing wrong with working in a ticket office at all, or being a signal man as my dad was, they were good jobs, and they took an enormous risk giving them up to bring three children up on a grant.”
Lesley celebrates the start of the Festival with sponsors Deloitte
Being passionate and living the music is the root of her success.
“You’ll find that people who have enormous success are very hard working and you can’t switch that off. Once that motor is running then move out of the way,” she laughs, “I’m coming through! And that motor is running most of the time. I think I’m lucky, I was born with enormous energy and I love a lot of what I do. Just a sense that this is what I’m here for, I’m here to make this music available to people and make it as wonderful as it can be. I think I’ve always had a very strongly held conviction that I’m here to serve the music. I think that’s what distinguishes a classical singer from a pop singer - I don’t matter - the only thing that matters is the music. And the music will continue after me, and it’s my job to hand it on and I feel a very strong sense of duty in that way.”
It’s hard not to resist the whirlwind of passion. And her performance at this year’s Festival is set to be electrifying.
“I’m so thrilled the Festival is still growing and developing and being supported by the local community,” Lesley said. “And I would just like to take the opportunity to thank the people of Harrogate who have asked me to come back again after 29 years. 1980, when I first performed at the Harrogate Festival marked the first year of my professional life. I sang in the summer of 1980 just as I was leaving the National Opera Studio, that was my first recital. And then in October of that year I sang my first major role in the Wexford Festival and everything blossomed from those two events, so I’ve everything to thank the Harrogate Festival for. And I’m thrilled to be back there in my 29th year, and I hope I can visit in my 30th year and have a party! But I would just love to take the opportunity to thank the people of Harrogate for their stalwart support, for being there for me all these years and still wanting to hear me sing, it’s the biggest compliment a singer can possibly have, and I’m incredibly grateful and humbled by it.”
Growing up 15 minutes away from Harrogate in a village near Skipton, Clare Teal used to visit the “posh town with the posh tea room” as a child. Now she’s one of the headline acts appearing at the prestigious Harrogate International Festival. Trying to pin Clare Teal down isn’t easy. After she had returned from a week in Paris, we spoke to Clare in her car (her partner Muddy Field was driving) on her way to record a radio show with Pop Idol’s Michelle McManus. A few days later she will be interviewing Diana Krall for Radio 2.
As a child, Clare developed a fascination for jazz listening to her grandmother’s records. She grew up to present BBC Radio 2’s Big Band Special, Friday Night Is Music Night plus a host of other specialist music documentaries for radio and TV and to count the likes of Sir Michael Parkinson as a fan. Clare ‘accidentally’ turned to singing whilst studying for her music degree at Wolverhampton Polytechnic.
After leaving college like a lot of aspiring musicians she got a full time job. “My success didn’t happen over night. Nobody in the industry realised I was working 9 to 5 in advertising sales, then doing gigs at night. I suppose I was driven, I was determined, you have to be. And working in sales was incredibly useful to me. It was hard work but it taught me how to talk about money and business in general and also more importantly to handle rejection.”
Something that pays for a musician - Clare famously landed a multi-million pound contract with Sony records - virtually unheard of for a British jazz musician outside the Radio 1 demographic. It’s all quite remarkable considering she discovered her voice by serendipity. “It was when I was studying music; I had completely forgotten about an important clarinet exam and had 20 minutes to do something…anything, so formed the world’s worst piano trio and as my piano playing is less than impressive I had to sing to hold it all together. Thankfully nobody walked out covering their ears and I realised for the first time in my life that I could sing in front of people without going to pieces.” She had always loved jazz, but the fantastic response from her teachers was the turning point to focus her passion on singing.
Clare’s business sense meant she knew her worth - she sang with jazz bands but always demanded to be paid - she never gigged for free. It was after coming second in a national contest to find the next Billie Holiday that she got her big break.
By her second album, Orsino’s Songs, Sir Michael Parkinson became a fan, playing it frequently on his radio show and inviting her to perform on his TV chat show in 2003. In 2005 and in 2006 she was British jazz vocalist of the year. The Times dubbed her ‘Britain’s most successful female jazz singer’. And Parkinson gushed she was, “Wonderful. Worth raving about.”
The gig included a unique version of 'On Ilkley Moor Ba Tat'
“Michael has been hugely supportive of me, and he’s done a great deal in supporting up and coming talent and musicians. I was very lucky to have his backing and support; he’s a great music lover. I do still see him - we go for tea now and then and yes I guess that I can count him as a friend. We’re actually performing together at the Glasgow Jazz Festival in June.”
What, he’s singing? “No,” she laughs, “thank God! He’s presenting.”
Clare has performed with many jazz legends including John Dankworth and Cleo Laine, and counts Ella Fitzgerald as her all time hero as well as her ultimate influence - Cole Porter - to whom her own writing has been compared.
On her third album, The Road Less Travelled, she was working with the music producer Tony Platt - of Rolling Stones and Bob Marley fame - and sang a duet with fellow jazz star, Jamie Cullum, an old friend of Clare’s. Is she going to the wedding? (Sophie Dahl confirmed her engagement to Cullum recently on the Jonathon Ross show.) “We’ve not got an invite yet! But I’m thrilled for him, he’s such a talent.”
It seems to be part of the make-up of hugely successful musicians and personalities like Clare - to be incredibly driven and hard working. There’s some real Yorkshire grit at work. “And I have a hugely supportive partner, which makes a big difference.” Clare added. She lives with her partner Muddy in Bath. Clare met Muddy at a charity event and they have lived, worked and toured together for a decade. Her personal and working life are intertwined - which might explain the good vibrations Clare Teal puts out in person, as well as on stage; her work is her passion, and unlike some artists she hasn’t had to make compromises in her relationship. The fact the pair met at a charity event says a lot about Clare’s spirit. When she found out Yorkshire Cancer Research were supporting her event at this year’s Festival, she was genuinely thrilled: “That’s fantastic! It really is. I think during the credit crunch too its crucial charities and communities work together and support each other, so for such a great Festival like Harrogate to work with this massively important charity is amazing. It’s an awful truth but cancer will affect us directly or someone we know at some point in our lives. It really means a lot that it’s a charity like that supporting the show.”
Clair Chadwick, Head of Marketing and Fundraising for Yorkshire Cancer Research said they were delighted to be supporting a number of events at this year’s Harrogate International Festival: “In particular, Yorkshire artist Clare Teal has resonance because she’s Yorkshire born and bred,” Miss Chadwick said. “All proceeds from this partnership will enable us to continue to fund world renowned research into the causes and cures of cancer at universities and their associated teaching hospitals across Yorkshire”.
Clare with event supporters, Yorkshire Cancer Research
Would Britain’s most famous jazz singer ever move home to Yorkshire? “Work commitments keep me in Bath and I’m very settled there now, I need to be close to London.” But Yorkshire still has a huge place in her heart. Her roots, like many Yorkshire successes, gave her a strong work ethic. Combined with her passion for music, her relentless drive has catapulted her to success while keeping her northern feet firmly on the ground. Teal has famously said in the past: “It’s very levelling because you’re never not from Yorkshire.”
Her sense of humour that resonates on radio and stage has been compared to the quintessential northern comic, Victoria Wood. Humour, Clare said, is crucial to her - it has helped her career and professional life. “I love what I do and I find a lot of things funny - I think it’s only right that the audience should be in on the joke,” she laughed. Her 2008 album is aptly called Get Happy. The Guardian music critic John Fordham put Teal’s appeal down to the fact she still retains that ‘enduring devotion to swing’ and a rosy romantic approach that she demonstrated as a child, dreaming about being Ginger Rogers in the arms of Fred Astaire whirling down the aisles of Keighley shopping centre.
Teal has an infectious upbeat love of music, and it seems, of life. It seems fitting that the one song that she said she’d pass on to her kids as one of the most influential in her life is not a Fitzgerald track or even Cole Porter melody, but Good Vibrations by the Beach Boys: “My biggest influences? Oh Cole Porter absolutely - but I think the one song that stops me in my tracks every time is ‘Good Vibrations’ by the Beach Boys. Bryan Wilson’s pocket symphony is one of the most inspiring, innovative joyous demonstrations of all that is good about music.”
In the first of our exclusive interviews with this year’s Festival artists, Camilla Dallerup speaks to Festival reporter, Ann Chadwick about romance, Yorkshire vowels and Fred Astaire.
Why is Camilla leaving one the most loved BBC shows ever - a show that inspires palpitating passions - the ultimate dance competition that has provoked endless column inches in newspapers as diverse as the Guardian to the Sun?
“I’ve had an amazing five years and six series, an absolutely amazing time, but I’ve always learnt to leave a party while you’re having a good time. I’m actually seeking new challenges now, I think after five years you know it was just time to move on, it was just a natural thing for me to do - six series is a long time.”
Camilla & Ian live at the Royal Hall
What really shines about Camilla is her passion for dance and her love of entertaining. And that genuine heart felt joy is evident watching her and her professional dancing partner Ian on the dance floor.
She’s danced with some gorgeous men on the BBC show - if she had to choose between the Fred Astaire wannabe Tom Chambers or the hunky Gethan Jones - who would she choose?
“Ooh, that’s so unfair to ask me that!” Camilla objected, “I suppose I would have to say Tom because he got me the trophy, but they’re actually both adorable.”
Anyone who has seen the movie Strictly Ballroom knows it’s the winning that counts.
Behind the sequins and fake tans, is life on the dance floor really so competitively ruthless?
“I think it’s slightly exaggerated but there’s a hint of truth. In any sport actually - not just ballroom - you see pushy parents in any sport. You don’t have to go into ballroom dancing to have pushy parents. No, I think that’s exaggerated, but it’s definitely a great movie though,” she laughed.
Camilla started dancing at the ridiculously young age of two. Did she feel any pressure?
“I was so lucky, I went to a school every day after school where I would do drama, dancing, singing, I had a social life, I had friends that I loved, and I felt like I belonged. For me I feel like I’m an entertainer first and a dancer second, for some it’s the other way around, but I just love to entertain. I didn’t care if I was dancing, singing, doing a drama - anything - I just wanted to be on stage, I loved entertaining. What I loved so much is actually connecting with an audience, when you leave the stage and you know that you’ve made someone happy or it’s reminded them about some emotions - that’s amazing. That’s got to be the best thing in the world to actually connect with an audience, to have an affect on other peoples’ moods - brilliant.”
So, spill the beans, who is her favourite celebrity that she’s danced with on Strictly?
“They’ve all been my favourites for different reasons,” she said diplomatically. “But with James Martin - I do think I will never forget his journey because he really started at such a disadvantage and he ended up leaving like a dancer, and I’m quite impressed by that journey because he showed what sheer determination and basically what mind over matter can do.”
There’s something enormously genuine and sweet about Camilla, which the nation witnessed with her emotional win in the 2008 show with her celebrity partner Tom Chambers.
Who, dead or alive, would be her ultimate dance partner?
“It would be my boyfriend, and if not my boyfriend, Fred Astaire - for sure! Oh My God!” she sighed. “One night with Fred Astaire on stage, can you imagine? Oh! My! God! And I think Tom would like that too, he kept talking about wanting to be Fred Astaire.”
The audience strut their stuff on the dance floor
Her passion is infectious. Strictly is responsible for getting an entire new generation back into dance. This summer, Camilla may not be appearing on Strictly, but she’s still firing up the passion for dance, moving away from celebrities to children: “I’m working on a new kid’s programme that’s on the BBC this summer - I’m judging - and I’m absolutely adoring it, it’s lovely to see the kids creating in different ways.”
The dance class in Harrogate is an amazing opportunity to learn with the pro’s, but what about us adults worried about having two left feet?
“Well we try to make it very simple, one of the most important things for me is to get a lot of people enjoying it, because dancing is all about sharing and having fun and the social element really - so two or three left feet not to worry! Just come along. From experience, with all the dance classes we’ve done before, people do leave knowing a couple of moves. Even the ones that go, oh no we’re not going to learn anything,” she laughed. “We’re used to working with people who haven’t danced before, that’s what we prove on the show - that it is possible to learn, you know if you just give it a go.”
And, Camilla adds, there’s never been more of a reason to let go of those inhibitions and dance, dance, dance! “It’s funny when we look over time and history people have always danced, even when the war was here you know, people were dancing in secret locations. I think when it’s a critical time for people they seek to be together and to socialise. And dancing is one of the things that actually makes all your problems go away, because while you’re dancing and you’re co-ordinating your body and listening to the music and watching the steps and having fun with the people around you, you actually forget everything else. So it’s a great de-stress actually. And I think it’s important in difficult times to laugh and have fun, because everything’s so serious out there, it’s depressing enough to listen to all the news on the economic climate.”
A certain generation of parents and grandparents actually met, socialised and romanced at dances. Now, with the alienating advance of technology, have we lost the romance of dance?
“I think it’s coming back!” Camilla said. “I think that’s what we’re seeing when we’re travelling all around the country visiting different cities, that actually people are going dancing and romance is also starting to blossom through dance again, which is lovely! I mean I think there’s something nice about being invited onto the dance floor by a man. I think lots of women like that, and people are realising it’s a great way to socialise because with all the people meeting through the web and texting, everything’s becoming quite impersonal. So actually dancing is something that brings that socialising and personal contact back - to hang out with people - it’s nice while you’re exercising and having a good time at the same time.”
Camilla & Ian impress with their rumba
We women may be dancing in the same formation, but what about the blokes? At a Salsa class in a Harrogate club I attended, all but one of the students was female.
What would she say to encourage more Yorkshire lads to attend her Harrogate dance class?
“I danced with James Martin and he’s from Yorkshire isn’t he?” Camilla said. “I love the way he says ‘no’ (attempts flat Yorkshire vowels), I always try to say ‘no’ the way he says it.”
But surely it’s time Yorkshire men learnt a thing or two from the sexy moves of their European counterparts? British men can be so inhibited.
“I think maybe that’s generalising a little bit, I think it also depends on the area, and of course yeah maybe you’re still seeing slightly more women than men but definitely Strictly has helped men to go to dance classes - 100% - I’m hearing a lot of stories now where the husbands are saying, oh you know, I would never have danced, then I saw Strictly, and I saw James Martin doing it so I can do this too, and that’s nice you know.”
After the dancing class with Camilla and Ian, you can watch them dance to the sweeping music of Gershwin and Porter. Camilla describes her relationship with Ian as a ‘professional marriage’: “It’s closer than just colleagues; we are like each others’ best friends. It’s like going to work with your best friend every day.”
This year we’re making it easier than ever to ‘take the plunge’ and try something new, with discounts and special offers aplenty! With tickets from only £10, it’s never been a better time to try something new.
Take the Plunge OffersÂ
Look out for events with the Take the Plunge icon and take advantage of some fantastic offers:
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Take the Plunge Discount
Book for any Festival event and receive £3 off a Take the Plunge event. Give it a go - you know you want to!
Take the Plunge Rover Ticket
Immerse yourself in the best of classical, world music and jazz - book any four Take the Plunge events for only £30.
Take the Plunge Premium Rover Ticket
Dip your toe in some of the best seats in the house - book any four Take the Plunge events for only £50.
And there are plenty to choose from! All these great events are part of the Take the Plunge scheme:
As part of our commitment to encouraging families to enjoy the Festival, we have introduced this amazing new offer: Bring a child to any event for only £1!
There are limited numbers of these tickets, so please book early to avoid disappointment. Please note, this offer is available to children aged 16 or under when booked with a full price adult ticket, and a limited selection of seats are available.
Why not check out these fabulous, family-friendly events?
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Come Dancing: the chance to watch your favourite celebrity dancers perform and maybe get your own dancing shoes on!
Black Dyke Band: for any budding brass players this is a chance to see the best of the best perform a mixture of entertaining styles
Oddsocks Productions: the most madcap production of Richard III you’ll ever see! Enjoy music, mayhem and comic chaos in the fabulous surroundings of RHS Garden Harlow Carr
The Magnets: performing favourite songs without the aid of instruments, these beatboxing boys will make it a night to remember
Spotlight on new talent
Book any three concerts in the acclaimed Young Musicians Series and enjoy a 20% discount off your purchase.
Make it a great night out with friends and enjoy discounts off your booking:
Parties of five or more booking their tickets in one transaction receive a 10% discount on their tickets.
Groups of ten or more receive a 20% discount on their tickets.
Please note that this cannot be used in conjunction with any other offers.
Don’t miss out on these great offers - call the Box Office now!
According to the Yorkshire Post, a crime wave is hitting the county. But don’t rush to lock your doors or cancel your travel plans just yet! The spate of criminal activity hitting the headlines is all purely fictional - a result of the Theakstons Old Peculier Crime Writing Festival hitting Harrogate in July.
In advance of their appearances at the Festival, top crime authors have been talking to the paper about the Festival and their own lives and work. Thanks to the Yorkshire Post online you can go undercover yourself and eavesdrop on brand new conversations with 2009 Programme Chair Laura Wilson and aclaimed author Martyn Waites, as well as catching up with authors from last year’s Festival. You can listen to the interviews on the website or download the podcasts to your computer to listen to at your leisure.
We think our Festival line up is fantastic! But don’t just take our word for it - watch the videos, hear the music then book online. If you haven’t yet fully explored our new website, now is the time to do so! We’ve added new content so you can ‘try before you buy’, making it easier than ever to discover some new talent this summer.
New media on the website:
Roberto Fonseca: amazing keyboard skills from the Havana maestro
Jacqui Dankworth: be the first to hear snippets from the brand new album
More multimedia is due to be added soon - keep your eyes peeled!
Keep up to date with the all latest news
With so much happening, don’t miss out on a thing - click on the right to sign up to our new RSS feed, and you’ll be notified of all the new content on the website. In the coming weeks there’ll be competitions to win tickets, more music tracks and video, plus interviews and features about this year’s artists.
To celebrate all this new technology, the 20th person to sign up to our news feed will win 2 free tickets to the James Taylor Quartet gig on Friday 17th July.
Sign up to receive all the news, as it happens!
Tell us what you think!
We want to know your views and opinions on the Festival, the artists, the website… get in touch! You can check out recent news by clicking stories in the right hand column, and post your comments at the bottom of the page. We look forward to hearing from you
New for 2009, the Festival is launching its very own Big Read in partnership with Penguin Books to get as many crime fans as possible reading in unison one of the classics of the crime fiction canon - The Big Sleep by Raymond Chandler.
The Big Read celebrates the seventy-year anniversary since the first publication of the novel that defined the hard-boiled school of crime writing and introduced the world to the iconic detective, Philip Marlowe. Chandler’s anti-hero has become the blueprint for a thousand paler imitations over the years: the laconic loner with a taste for drinks as dry as his wit, the shabby downtown shamus with a streak of the white knight within.
Today’s writers often cite The Big Sleep as an inspiration for their own work; the book that made them fall in love with the detective story. In his introduction to the recently re-launched Penguin edition, Ian Rankin writes:
“The Big Sleep opens with my favourite paragraph in all crime fiction and doesn’t let up until a wonderfully written coda. It was one of the first crime novels I ever read, and is still one of the best.”
The Big Sleep is required reading not just for crime lovers, but for all who enjoy truly great books, so get your hands on a copy from your local bookshop or library and take part in the Theakstons Old Peculier Big Read.
Big Read Events
For readers living in or around the Harrogate district, the Big Read will be bringing the dark underbelly of Marlowe’s 1930s Los Angeles to a place near you with libraries across the district hosting special Big Read Reading Group events lead by modern day crime author and Chandler buff Martyn Waites.
Theakstons Old Peculier Crime Novel of the Year Shortlist Announced
The 14 short-listed titles that will vie with each other to take the coveted title of Theakstons Old Peculier Crime Novel of the Year 2009 have been revealed!
Now it is down to YOU – the readers - to decide the winner. The Theakstons Old Peculier Crime Novel of the Year is the only award of its kind voted for by the general reading public. The winning title will be announced at the opening of the 2009 Theakstons Old Peculier Crime Writing Festival, Harrogate on Thursday 23 July at a glittering Awards Ceremony hosted by Radio 4’s Mark Lawson. And unlike most literary award presentations – YOU – can be there when it happens! Tickets are available to book now online or by calling the Ticket Hotline on 0845 130 8840.
Not read some (or any!) of the best crime novels
of the last year?
The 14 short-listed titles will be on promotion in Asda stores for three weeks from 7th July at the amazing offer price of 2 books for £7 making reading crime fiction great value for money.
Voting is now open. Make sure your favourite crime book is a real contender for the title - click here to cast your vote!
The Harrogate International Festival is bringing the best in world music to Yorkshire’s doorstep: it’s a view you won’t want to miss.
Roberto Fonseca, Royal Hall, Sunday 12 July, 8pm
Havana comes to Harrogate in the form of Roberto Fonseca. Ibrahim Ferrer has said about Roberto: “This “muchacho”, despite having a jazz background, gets me and respects my music, and - boy, can the kid play…!” The young Cuban-born pianist infuses jazz, funk, soul, Afro-Cuban music and salsa to create a sound that fuses traditions and defies boundaries. Fonseca counts such greats as Herbie Hancock amongst his fans. As the Sunday Times put it: “The man has soul”.
Across the world, cultures are swaying to global rhythms in back street jazz bars and pub sawdust floors. Scottish songstress Julie Fowlis is a passionate torchbearer for the culture of her native Western Isles. She has taken her extraordinary talent all over the world, touring with the likes of Lou Reed and Suzanne Vega. Since Julie was presented with the 2008 Radio 2 Folksinger of the Year award by KT Tunstall, the Daily Telegraph predicted that she could be “the first Scottish Gaelic crossover star in the making.” Her soulful voice prompted Radiohead’s Phil Selway to declare: “You would need a cold heart indeed not to be moved by her music.”
James Taylor Quartet, Harrogate Theatre, Friday 17 July, 8pm
To add a little edge to the folksy vibes, funky jazz and soulful melodies, the Festival brings you an Acid jazz powerhouse: the James Taylor Quartet.
James Taylor is legendary and regarded as one of the greatest instrumentalists of his generation. The Theme from Starsky and Hutch cemented his reputation as master of the jazz-funk-r ‘n’ b workout; 60s spy themes, psychedelic and free-form jazz create a distinctive sound that has led to collaborations with Tom Jones. U2, The Pogues and the Manic Street Preachers have all featured James on their albums. In 1997 James had the chance to fulfil a dream when he was asked to score the theme tune to Austin Powers: International Man of Mystery, the spy spoof starring Mike Myers and Elizabeth Hurley.
Don’t miss the chance to experience out of this world sounds with the global music line-up in Harrogate this July. Book now on 0845 130 8840 or go to our events page to book online.